How to Be a Pro “Hot-Chick Fisherman”

Welcome back to my series of the 4 ways of setting sexual frames. In the previous two articles I?ve looked at how to set sexual frames using sexual story-telling and cold reading. Now I want to look at how to use the basic Bait-Hook-Reel-Release-Rapport model to set sexual frames.

This is my basic mechanism for qualification. It gives us a great way to reward girls for accepting our frames and we have a way to scale our qualification by using small, medium and large hoops.

So let me take just a two minute basic rundown of bait hook real release qualification for people who haven’t heard it before.

So the first thing were doing in BHRRR, is that we are going to bait and here we are going to ask a question or make a statement, that’s a bait to get the woman to give us something about herself, some piece of information, something about her that?s cool that we can then hit on her for, before we kind of release which we just talked about in the previous article on cold reading.

Releases are always non sequitur teases and rapport which is my big contribution to this whole model, that VH1?s Mystery came up with is the idea that, if we don?t even ask a question. We aren?t going to show some interest as you just go bait hook and release which is what mystery teaches then it kind of feels a good job interview, it kind of feels like you don?t really care.

But if you dive into each subject and you built some rapport, then you’re really making the girl feel like not only are you interested in her and things that are non physical but that you’re also genuinely interested and you can develop genuine chemistry.

Again, we are going to first bait and we can bait with questions or statements you know I might say:

?What do you do for fun when you’re not hanging out at this bar??

That?s bait. Or I might say:

?You know, you strike me as a type of girl who loves to shop?

Either way I’m just trying to get her to give me information. It hooks if she gives me information. So bait is a question or a statement designed to get her to give me something that I can hit on her for. The hook is when she answers or she gives us something.

Now the reel is when we are going to hit on her. This is when we are going to give her a compliment. This is where we are going to tell her the reason that we like that.

So, going back to my ?what do you do when you’re not here? example.

The girl says: ?Well I’m really in the hiking and I’m really into organic holistic living!?

I would respond:

?Oh! That?s great, that’s awesome. I’m really into trying to be healthy too and I feel like holistic stuff is really good and really powerful I love that you’re into that because I’m totally like obsessed with organic food and whole foods as well.?

The reel is going to be different and specific every time. You’re not going to really have the same real because you?re going to want to make it specific to you and specific to why you like that quality. That’s the kind of secret that you can star for getting the bait hook real release report work really well for you as you got customize the real you.

You?ve got to customize why you like it, and come up with the comment what you don?t want to do, and a lot of guys do and a lot of guys I teach, just go: oh that?s cool! That doesn’t work, that doesn?t make the girl feel like you actually care about what she’s saying.

Lasty we release. The release again is a non sequitur tease:

?Too bad you are such a dork?
?You suck.?
?I hate you?

And then rapport, we are going to ask a follow-up question.

So I will say something like:

?Where is your favorite place to hike? Or what’s your favorite holistic meal??

Something that zeros in on what she already said to kind of take in the conversation deeper, to allow me give her more compliments, allow me to show her that there is some sort of connection between the two of us and that I am interested in the same thing she’s interested in. So, we just take things a little bit of a deeper level.

A level where we can set any of the 14 sexual frames we need to set to make things happen.

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